St. Paul Travelers Specialists Keep Reality TV Alive

Jon Paulsen was one of millions of TV viewers watching as contestants on the NBC reality show Fear Factor went bobbing in a vat of lard for cow tongues.

But gross-out entertainment wasn’t the reason why Paulsen stared as the scantily clad competitors dipped their heads into the gooey, melted animal fat to grab the cow tongues with their teeth, then handed them off by mouth to their fellow competitors.

Paulsen is chief underwriting officer of the entertainment division at the St. Paul Travelers Cos. Inc., which insures Fear Factor and several other popular reality shows.

Three weeks before that show aired last month, Paulsen and his team of risk-control analysts questioned, analyzed and triple-checked every detail of the stunt. The cow tongues had to be properly cooked and certified as safe to eat by the U.S. Department of Agriculture; the lard had to be fresh from a supermarket freezer.

“Watching television has changed for me,” Paulsen said. “I chew my nails hoping they do exactly what they said they would.”

Experts say reality shows might not exist were it not for a few big insurance companies, including St. Paul Travelers, American International Group of New York and Fireman’s Fund Insurance Cos. of Novato, Calif.

Before Fear Factor contestants can leap from helicopters or Survivor participants can paddle up a muddy jungle river in Brazil, producers must find companies to insure them in case someone breaks a limb, returns home with mental scars, or worse.

The potential rewards are high for insurance companies. Insurance rates on a reality TV show with physical stunts can be 20 to 50 percent higher than a standard program shot in a studio, Paulsen said. Last year, St. Paul Travelers collected about $110 million in premiums from its entertainment unit, with a portion of that coming from reality programming, Paulsen said.

“For now, reality TV is the fastest-growing segment of the entertainment insurance industry,” he said.

It wasn’t long ago that some media analysts predicted the genre would fail because it would be too difficult to insure. But few incidents have occurred, partly because of the insurance companies working behind the scenes to remove risks, the analysts say.

“One death. One dismemberment. That’s all it could take to end reality television,” said Kenneth Wefer, owner of LMC Group, an engineering company based in Los Angeles that helps insurers evaluate stunts. “That’s why it’s crucial that insurers are involved. … Without them, reality TV might not exist.”

But the risks are growing as networks come under pressure to grab viewers with fresh stunts and more offbeat concepts.

“We do insure some reality TV, but it is getting more and more difficult as the shows get increasingly outrageous,” said David Hilgen, a spokesman for the Chubb Group of Insurance Cos. in Warren, N.J.

A few upset contestants have sued:

—Philip Zelnick is suing Candid Camera for persuading him to lie on a conveyor belt and go through an airport X-ray machine. Zelnick claimed he suffered bruises and bleeding after he got stuck in a fake scanner and accused the Pax TV network of battery, negligence, false imprisonment and emotional distress.

—James and Laurie Ann Ryan are suing MTV’s Harassment for emotional distress. They checked into a Las Vegas hotel only to find themselves ensnared in an elaborate gag with the cameras rolling. They found a fake body in their bathroom, and a hotel guard and paramedic stopped them from leaving.

—Jill Mouser sued CBS and the producer of Culture Shock, which never aired. She was rushed to a hospital after agreeing to be held upside down in a contraption called the “harness of pain.” She claimed they concealed how much pain she would endure.

Contestants typically sign promises not to sue, but a sympathetic judge can dismiss these waivers if producers are found to be negligent.

“If someone is seriously hurt, they will find ways to poke holes in the waivers,” said John Hamby, senior vice president and entertainment practice leader at Marsh Inc. of New York. “They can always say they didn’t really understand what they were getting into.”

That’s why Paulsen and his colleagues at St. Paul Travelers take their jobs seriously. Specialists analyze scripts to see if producers are putting people at risk of bodily or psychological injury, Paulsen said. Often, they will visit the stunt sites to check whether the equipment, such as the ropes and harnesses, is in good condition.

Paulsen doesn’t approve every script. The company recently declined to insure a complicated hidden camera stunt that called for people to jump out of a plane with parachutes after the pilots pretended the engine was failing.

“What happens if the parachutes don’t open or if the plane crashes?” Paulsen asked.

So far, the biggest loss St. Paul Travelers has suffered is having to pay $200,000 to replace four cameras that got wet while a crew was filming on a tropical island.

“Right now, I feel [the producers] have engineered out most of the risks,” Paulsen said. “But if this push for bigger, better means someone gets significantly injured, then all bets are off.”

Copyright 2004 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.